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How Not to be Eroded


How Not to be Eroded

JESS BERNHART is a writer, curator and arts administrator. Currently managing rotating exhibits and special projects for ATL Airport Art︎︎︎, Bernhart also runs an artist publishing project, Volatile Parts︎︎︎, and an artist residency in Montezuma, GA,  Volatile House︎︎︎.


Bernhart co-curates fLoromancy︎︎︎, a (currently hibernating) arts publication. She has published essays, poetry, and arts criticism in Burnaway, ArtsATL, Eyedrum Periodically, Loose Change, and independently, and has exhibited visual art in a handful of group shows. She holds a bachelor’s in philosophy from Haverford College and a master’s degree from the London School of Economics. 

Manifesto︎︎︎ Knausgaard / Clark

Reading 2 ︎︎︎ Clark, escape routes

Reading 3 ︎︎︎ Maas, power fantasies

Reading 4 ︎︎︎ Lipstein, Mambas

Reading 5 ︎︎︎ Hazell, butterflies

Action 6 ︎︎︎ Ikeda, data-verse

Portfolio 7 ︎︎︎ When I look

Reading 8 ︎︎︎ Everett, baby blanket

Reading 9 ︎︎︎ Forster, wind chime

Watching 10︎︎︎ Ludwig, restraint

Reading 11 ︎︎︎ Rooney, reciprocal autobiography

Reading 12 ︎︎︎ Rooney, moment of silence

Reading 13 ︎︎︎ van der Wouden, vertigo

Manifesto ︎︎︎ Knausgaard / Clark

Reading 2 ︎︎︎ Clark, escape 

Reading 3 ︎︎︎ Maas, power fantasies

Reading 4 ︎︎︎ Lipstein, Mambas

Reading 5 ︎︎︎ Hazell, butterflies

Action 6 ︎︎︎ Ikeda, data-verse

Portfolio 7 ︎︎︎ When I look

Reading 8 ︎︎︎ Everett, baby blanket

Reading 9 ︎︎︎ Forster, wind chime

Watching 10 ︎︎︎ Ludwig, restraint

Reading 11 ︎︎︎ Rooney, reciprocal autobiography

Reading 12 ︎︎︎ Rooney, moment of silence

Reading 13 ︎︎︎ van der Wouden, vertigo